From playful and fun, to politically correct: Censoring Roald Dahl

Roald Dahl books, nationally revered and loved by kids everywhere, are having lots of alterations made to them by woke, politically correct editors who want to appease snowflake adults.  Roald Dahl, nationally revered and loved by kids (lots of whom are also adults now), is also dead and unable to speak out against the censorship being placed on his books.

I am against censorship in books and I am against banning books; sanitising them isn’t too far off. There are books and authors whose writing I despise – but I don’t believe in rewriting or banning them. Even if it is Salman Rushdie.

It seems to me that people would rather pull the wool over their children’s eyes than use ‘offensive’ language as an opportunity to explain the real world to them; the real world which, might I add, is a lot worse than how Dahl portrayed it. And let’s be very honest, the reason we love those books so much is because that language is all around us; it’s playful and it’s descriptive and it’s something we understand. I’m sorry you don’t like the words ‘ugly’ and ‘attractive’, but they are adjectives that exist nonetheless. It makes no sense to censure the use of the word ‘ugly’ when it is being used to describe characters whose entire story is based on the fact that they are ugly (both inside and out). How do you rewrite that? Not to go all Hopkins-Clarkson-Morgan, but I don’t understand why we need gender-neutral terms in the books either. I cannot, for the life of me, understand why ‘Cloud-men’ is more offensive than ‘Cloud-people’. Why is the word ‘man’ offensive? Men and women, boys and girls, exist; this fact shouldn’t offend anyone, regardless of their own beliefs about gender. Are we going to rewrite every character in every book as gender-neutral? Must we rewrite Harry Potter as the person who lived? Read more

I think I’m here, therefore I’m here(?)


Or whatever Descartes said.

It’s been quite a while since I’ve posted anything on this blog. I have found myself drawn more to the throwaway simplicity of Substack; my creative (?) thoughts are sporadic and I have a very short attention span, even when it’s for myself. When I lay down at night, I jump from memory, to thought, to scene two in that same thought, to scene three, back to scene one to find out how else it could have played out, to a different thought altogether, to a horrible scenario that I hope will never happen but I’m now prepared for in case it does. Long blog posts don’t really do it for me, and I know they don’t really do it for anyone else, either. I talk about things succinctly (but often), I think about things forever and then write about them succinctly (I hope) (but often). Other times, there is waffle.

This is one of those times.

I’m ashamed to admit that I haven’t been writing anything over the past couple of weeks because I’ve had fake nails on. I don’t know how you were expecting that sentence to end, but I know it wasn’t like that – maybe you expected simple writer’s block, being bogged down with work, a crisis in the family. And all of those things are true, but, for a writer, not nearly as debilitating as having long nails that prevent you from typing efficiently on the horrible flat butterfly keys of a 2015 Macbook that just won’t die. Let’s not tempt fate now, though, because, being older and closer to real adult life, I can’t afford my Macbook to die on me the same way I could when I was 19 and didn’t want to think about the future. I used to look into the future and see a black screen because, as far as I was concerned, I should have been dead already and anything that was to happen after that is a miracle in itself. Maybe miracle is the wrong word. Now, I look into the future and I panic because I wasted so much time being dead inside that I now have so much catching up to do; now, I look into the future and it’s not just about me – now, I see the white picket fence. Not really a white picket fence because, living in London, I know a small Tesco lorry will probably back into it and ruin everything. Maybe a big, strong, robust wall. And some barbed wire. And lots of CCTV and gates and deadlocks. Maybe a rottweiler.

I digress. But it’s also a nice illustration of how my thought process works. I get antsy, I can’t sit still. I get anxious, I get frustrated, I don’t know how to be calm. I am, quite simply, all over the place, all the time.

But sometimes, all the chaos must come to a stop and I am nowhere.

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Letter to my daughter


 

 

 

Daughter,

I don’t know if you’re going to exist, but I’ve grown a few maternal bones over the years. Whether you will be born from me or another woman, or even at all, I now often daydream about you. 

There was once a time I didn’t want any children. It was in my later teenage years when I first saw how horrible the world was, when depression grabbed hold of me, when I knew what it was like to be purposely misunderstood. I couldn’t bear the thought of bringing anybody else into these feelings of helplessness. Then I got older and wanted to kill myself. 

Children still weren’t a thought, but this time it was because every day that I lived was a day that wasn’t even meant to come, so I really took it one day at a time. I didn’t look further ahead because there was nothing there; I literally woke up thinking ‘nice, another day. Here we go again’. It’s only now that I can see a future in which I can almost see old-age. I have love to thank for that.

I realised that my mind and heart had sustained way too much for me to not pass on what I’d learnt. I had too much love to give, I had masses in reserve. Some for a lover. Some for his family. Some for friends… and some for those I will call my own. I learnt what love for a child was through learning what it wasn’t, and I suddenly felt that part of my purpose in life was to give it. It may be selfish of me to want you to exist simply so I can give you what I didn’t have. Is it bad to desperately want to give the good to someone else so that they never have to feel like they should just.. jump? Maybe. Everything I once thought I knew about family had been destroyed, and the concept of it no longer exists to me. I want you to love, not because you have to, but because you want to. It is my responsibility to teach you that.

Let me start by telling you the objective truth. Read more

The path to healing.

 

 

Some would say a broken heart fuels creativity; that’s why we write, paint and make music. 

The pain and the hurt that translates into art feels good because we love ripping it out of us and pouring it onto a page. Sometimes the feeling transcends words, so we put it into metaphors and abstract oil paintings, and people lap it up because they love the feeling it gives them. Sometimes the art touches them in a way they can’t explain, simply because of that incomprehensibility.

They love to read about it, to watch it, to hear it. Driving home as the rain hits your window, pretending you’re in a music video whilst you listen to songs about cheaters and broken homes, songs about violence; it’s cathartic. Marvin’s Room makes your tears feel hotter, but you listen to it on repeat and God knows why. 

I have a hunch.

Misery loves company, and nobody wants to know they’re the only one suffering. Maybe they want to know their feelings are valid and shared. Maybe they desperately want to see how much worse it could be. Maybe they like the idea of other people suffering because the feeling of bitterness is perversely satisfying. We like pain and we like to know that we aren’t the only ones in it. We all exist somewhere on this spectrum of sadomasochism.

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2020.

 

 

The cheers, the whistling, the joyful jostling consumed the room as the clock struck midnight and we were pushed, suddenly and violently, into 2020.

People were hugging, kissing, drunkenly singing Auld Lang Syne, slurring ‘happy new year’ into the phone, to their families miles away. Or just down the road, having a quiet one. We made our annual vows to make this year better, messier, louder, than the one that had just passed us by. In a blink. 

We vowed to live our lives to the fullest, to travel the world, to quit our jobs, to cut people off, to make more money, to find love, to achieve things we hadn’t achieved over the last 365 days. We vowed… that this would be the year. Women in bathrooms telling each other they were too beautiful to let that man into 2020; leave him behind, you’re stunning, he doesn’t deserve you. Take my number, we should all go out one night. 

The atmosphere was all joy; vodka, rum and whiskey sending sentiments sky high.

By the end of the night, strangers were sitting knee-to-knee, having wide-eyed conversations as they took shots together. Tequila, to melt away old memories and make space for new ones. The room softened and lines blurred.

2020 will be our year.

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Who are you, really?

 

 

Okay. Hold tight, because we’re venturing into my favourite topic.

Who are we?

I do love a bit of psychoanalysis. It’s the question we will explore… forever.

It will never end, and we like to try and exhaust all avenues for as long as we live. There are questions we’ll ask ourselves for the rest of our lives; after all, what is there to do once we’ve found the answers? Self-sabotage, perhaps, so we can start again. Or, more sensibly, create more questions. Find more unexplored areas.

What is the meaning of life? What’s the recipe for success? What is true happiness? How do you heal from heartbreak and trauma? How do you know when it’s love? How do we even define all of these things?

I think most of the difficulty in answering these questions lies in a lack of awareness about the self.

Unless we really know who we are, we can’t truly know where we stand in relation to topics that require introspection and deep understanding of ourselves … and questions like the above do not have universal answers. There is no right or wrong. As the world evolves, the answers change. For some, success is living so comfortably that you never have to shop price low to high. For others, it’s being able to comfortably cry whilst staring into your lover’s eyes; it’s being unable to find the words to truly tell them how much you love them in that moment and that’s the only way your body will let you. And for a handful, it’s living carefree and alone in an art studio with a Wholefoods around the corner.

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